water • moon presents two intricately designed video sculptures placed in opposing courtyards, where they seamlessly blend reflections of visitors with multi-language literary texts. These sculptures harmoniously merge natural and man-made elements, incorporating a blend of traditional and modern materials such as recycled wood (Jelutong and Ramin) and concrete. Inspired by the graceful forms of traditional Malay fishing boats, the structures evoke a sense of cultural heritage intertwined with contemporary artistry.
This installation challenges conventional perceptions by integrating both natural and artificial interfaces. Utilising digital technology, the once-simple act of gazing into water to behold one's reflection has evolved into a complex interaction mediated by selfie cameras and display screens. By intertwining these mediums of reflection, water • moon prompts contemplation on the transformative effects on self-perception. How does this amalgamation reshape our understanding of ourselves? Moreover, by extending this reflection to include others, the installation fosters connections and empathy within social contexts, unveiling novel avenues for interpersonal relationships.
The culmination of water • moon manifests as a collective projection onto the building's facade. This visual tapestry amalgamates the faces of visitors captured during their encounters with the video sculptures, resulting in a crowd-contributed portrait that reflects the diverse narratives and experiences of its participants. Through this collective representation, the installation invites contemplation on the interconnectedness of individual identities within the broader societal fabric. What composite image emerges from our collective contributions? This collective portrait serves as a testament to the power of communal expression and shared experiences in shaping our collective identity.
Commissioned by National Arts Council for Opening of Stamford Arts Centre in 2019.